Who needs Vaska

We really don't like it when a pointing finger suddenly reaches out to us from the screen. And here it is the pointing finger that we see almost in the literal sense of the word, but this not only does not shock, but on the contrary, gives rise to a lively response in the soul.

And every time after the next letter, you're already waiting to see what the host will say about it. His comments are like the emotional peaks of the film. One feature was most fully manifested in them, which makes the painting by S. Obraztsov and V. Rytchenkov an extraordinary and noticeable phenomenon. This feature is the absence of fear of indisputable truths. The authors do not try, as is often the case, to "drive into the subtext" a thought that excites them, so that the viewer himself can isolate it from the stream of screen impressions. It is generally believed that such a style indicates the greatest trust in the viewer. Maybe that's the way it is. But sometimes you want to hear an open, direct text from the screen, sometimes a special trust in the viewer lies precisely in not lying to him, but frankly talking about what worries you most. There is some great inner freedom in the manner of conversation that the authors have chosen. But what worries them the most? The fate of pets — all these Aces, Beetles, Badgers, greatly displaced by urban civilization? No, not only that.

And it is not even the extreme manifestations of human cruelty towards animals that cause the greatest concern. It's all disgusting, but these are the extremes. And the biggest concern is not the extremes, but the decent, prosperous oblivion of elementary moral norms, characteristic of the appearance of the modern philistine. The dog, they tell us, had been guarding the house for ten years, chained up — so, chained up, the owner threw her: where to take the dog to a new apartment!

Animals are sometimes treated like a toy that can be thrown away if you get bored. Today's educated mother is ready to take her child across the city every morning to some very special school with a bias that no one else has, but she won't let a cat on the doorstep for anything. Of course, there is no reason to object to deviations, but if a child is deprived of the incomparable joy of communicating with an animal, it means that he has been deprived of something since early childhood, and isn't this where the disease begins, which we call lack of spirituality, moral infantilism! Kashtanka, Mumu, and Zhuchka, returned by Kolya Krasotkin to the dying Ilyusha Snegirev, are forever recorded in great Russian literature. We remember their habits and destinies, because without them, apparently, the conversation about the spiritual essence of man, about kindness, and the search for a moral ideal that literally permeates our literature was impossible.

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